Meet the Designers
·2026·

Delineated Resonance

As the past and present leave continuous traces, mass and void take shape in a rigorous way. Where does a line get its origin, where does an object get her hollowness and what makes their combination intended? Delineated Resonance speaks of what happens between defined forms, influenced by spatial and historic references. Three designers showcase handcrafted objects made to intervene with its user and surroundings, grounded in these principles. 

Marthe Van Endert | BENCH_01

"Bench 01 is not just made to be viewed. It is designed to be used, to hold warmth and memory. Something that evolves through time and use.
In a world where digital images increasingly dominate our experience, tangible objects are gradually losing their meaning. Furniture is often reduced to static icons, designed for visual impact rather than experience. This design is conscious of this environment, but takes the opposite approach: a piece of furniture that does not remain static, but evolves through time, touch, and use.
At the heart of the design is soapstone, a soft material that records traces of interaction while also absorbing and slowly releasing heat. Its tactile qualities invite touch, rest, and a more direct connection between user and object.
The soapstone interacts with a lightweight metal tube frame that remains visible and honest at all times. Rather than hiding the structure, the frame becomes an integral part of the design, supporting and framing the stones."


Marthe - Bench 01:
soapstone + stainless steel
1500 x 600 x 400 mm



insta: marthevanendert

© Photos  | Justine Wolfs

Marthe Van Endert | COLLAGE LAMP 01

"Collage Lamp brings stone and light together in an open, visible structure. A metal grid forms the framework onto which thin pieces of soapstone are assembled as a collage. Normally perceived as heavy and solid, the stone takes on an unexpected lightness through its thin form. When illuminated, the translucency of the stone veneer is revealed. The structure remains visible and honest throughout: the grid supports the stones without hiding itself."


Marthe - Collage lamp 01
soapstone + stainless steel
1000x250x400mm


Also available:
Collage lamp 02
inox & speksteen
350x350x350mm


insta: marthevanendert

© Photos  | Mattice Deveseleer

Marthe Van Endert | CHUNKY STOOL

"A stainless steel stool designed so that everyone can sit comfortably, in their own way. Each piece is handmade and assembled exclusively using mechanical connections."


Marthe - Chunky stool:
stainless steel


insta: marthevanendert

© Photos  | Eline Willaert

Luka Endor Verbist | HF01-BMOD

"This design came to life as a counterweight to the way music is represented in today’s world; how it is experienced and how it is too often neglected. Music and soundscapes often reflect their cultural context and today’s fast-paced world struggles with overstimulation, multitasking on an elevated level…
The goal was to create an inviting music station that celebrates music in different forms and allows you to focus on one thing only: playing with sound and the act of listening to it.
The structure is made from folded sheet metal and works as a modular piece of furniture that can adapt to different musical contexts; from a DJ booth to a vinyl listening-party setup or even transforming into a display cabinet or a sculptural tower of sound."


Luka - HF01-BMOD:
2200 x 565 x 1530 mm



insta: endorluka

© Photos  | Kaatje Verschoren

Luka Endor Verbist | HFO2-BR

"Booth in stainless steel, designed for performance and moveability. Inspired by church altars and brutalist architecture."


Luka - HF02-BR:
1800 x 600 x 1100 mm



insta: endorluka

© Photos  | Mattice Deveseleer

Bucky  

Bucky was founded by me, Peggy Geens.
In my ceramic work, I draw on my background in architecture, blending design expertise with the tactile, artistic side of working with clay.
My work is a testament to curiosity, adaptation, and the limitless possibilities that emerge when you follow your passion.

Bucky | MONOLITHIC STRUCTURE

"A series of practical forms, stacked into a monolithic structure evoking a totem pole.
Inspired by pale, spectral women from ancient myth - banshees, carriers of sorrow and strength. 
These are monuments to the ones who silently hold the world together.
Their glazed textures lend a unity of restrained elegance, imbuing each functional element with ethereal presence - as if touched by the memory of myths, reborn in ceramic form.
A singular architectural statement. Both haunting and harmonious.
Stoneware/Wheelthrown/2025."






insta: bucky_ceramics
www.buckyceramics.com


© Photos  | Ward Deblonde

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